He’s picked up some new moves, like being able to drag enemy soldiers off ledges and hide in bushes, and secondary weapons feel a little bit tighter and more controlled than before as well.
Over time, Karl has evolved from a simple sniper who can wield a pistol or SMG if he absolutely has to, into a more well rounded character capable for a stealth action game. They’re also rather gorgeous to behold, with the bright sunshine of the Mediterranean baking the islands, pastel coloured coastal towns and mountainous industrial installations of Italy. Maps are much bigger for one thing, with primary and optional objectives that will take you all over them, but letting you really pick your own path to get there. It’s what’s wrapped around this core sniping gameplay that has been changed. Depending on the difficulty level you choose – and you can even create a custom difficulty level – you’ll have to simply line up the crosshairs, or deal with bullet drop, also accommodate for wind, or do all of this without an ounce of slowdown when you have Karl take a steadying breath before firing. You sneak through levels, painstakingly avoiding or taking out enemies, propping yourself up in your chosen vantage point or sticking to cover, waiting for the ideal opportunity to strike. So yes, the core sniping is effectively the same as it was before.
#Metacritic sniper elite 4 series
At its heart, it’s the same sniping game that fans of the series know and love – a slightly cheesy action stealth romp through WW2 – but having thrown off the shackles of supporting the last generation of console has allowed them to create something that feels all the more modern. Karl Fairburne’s out of Africa and into Italy to fight facism in Europe once again, and it’s Rebellion’s most accomplished entry in the Sniper Elite series yet.
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